Grass Harp 003
Antony Hall - doing/not doing
FINISAGE
Thursday 21st December
1 - 3.30 pm <<< PLEASE NOTE CHANGE OF TIME!!!
at the BOTANISCHER GARTEN Berlin (PLEASE RSVP!!)
6 - 10pm at Grass Harp
f.b event
For the finisage of Grass Harp 003, as an accompaniment to the work of Anthony Hall, we warmly invite you to join us on a walk around the Botanical Gardens of Berlin - with music selected by the artist as the soundtrack to our journey. Each participant is requested to bring a digital device and headphones. The audio file will be sent by email to anyone who RSVP's to the event.
Following the walk will be a small reception with food and refreshments at the exhibition at Grass Harp.
MEETING POINT
Botanischer Garten entrance Unter den Eichen 5-10, 12203 Berlin (Metrobus M48):
click for location map
If you would like to
attend these private events please sign up to our mailing list using
the form to the left, or contact us for the current location.
Grass Harp edition 003
Grass Harp 003
Antony Hall - doing/not doing
Friday 14th July
Opening 6 - 10pm
f.b event
15th July – 31st August by appointment (tel. 0176-47350798)
Grass Harp is delighted to have the rare opportunity to present the work of Antony Hall, an artist and furniture maker currently living in rural Sussex, in the south of Britain. His work employs simple geometric designs - which he describes as "functional" - often incorporates pattern, and an acute materiality which simultaneously suggests both an organic formation and an elusive handmade process.
He works between painting and sculpture (often through and as part of a drawing process) and within each practice there remains a tension between the 2d and 3d worlds which he habitually draws on. Diverse influences can be registered, from modernist furniture and Bauhaus pattern to early abstract painting and outsider design yet the overall effect is perhaps nearer to some kind of hand-made museum of natural history, an invented 'natural science' of sorts that champions the simple pleasures of making, collecting and living among selective objects as part of daily life. His small scale sculptures often appear fragile and at the same time embody a certain solidity, sometimes being carved from a single piece of wood, playing with the idea of gravity, image, scale, with a deceptively simple form.
For the exhibition at Grass Harp, Antony will present a selection of all new, small scale sculptures, alongside a special edition box, which refers directly to the making and cataloguing of these items, as well as including an even-smaller version of one sculptural element, like a sample piece or offshoot.
If you would like to attend these private events please sign up to our mailing list using the form to the left, or contact us for the current location.
Antony Hall - doing/not doing
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Antony Inglis Hall - studio view 2016 (image: Petra Graf) |
Friday 14th July
Opening 6 - 10pm
f.b event
15th July – 31st August by appointment (tel. 0176-47350798)
Grass Harp is delighted to have the rare opportunity to present the work of Antony Hall, an artist and furniture maker currently living in rural Sussex, in the south of Britain. His work employs simple geometric designs - which he describes as "functional" - often incorporates pattern, and an acute materiality which simultaneously suggests both an organic formation and an elusive handmade process.
He works between painting and sculpture (often through and as part of a drawing process) and within each practice there remains a tension between the 2d and 3d worlds which he habitually draws on. Diverse influences can be registered, from modernist furniture and Bauhaus pattern to early abstract painting and outsider design yet the overall effect is perhaps nearer to some kind of hand-made museum of natural history, an invented 'natural science' of sorts that champions the simple pleasures of making, collecting and living among selective objects as part of daily life. His small scale sculptures often appear fragile and at the same time embody a certain solidity, sometimes being carved from a single piece of wood, playing with the idea of gravity, image, scale, with a deceptively simple form.
For the exhibition at Grass Harp, Antony will present a selection of all new, small scale sculptures, alongside a special edition box, which refers directly to the making and cataloguing of these items, as well as including an even-smaller version of one sculptural element, like a sample piece or offshoot.
If you would like to attend these private events please sign up to our mailing list using the form to the left, or contact us for the current location.
Grass Harp 002 - Finisage
Grass Harp 002
Daniel Kupferberg - Speicher:
- For English scroll down -
FINISAGE
Freitag 7. Juli, 19.00 Uhr
f.b event
Um 20.30 wird eine Performance von Kathrin Köster und Daniel Kupferberg in Zusammenarbeit mit Theda Weber-Lucks geboten, klanglich begleitet durch Elisabeth Ruhe (Flöte) und Gustavo Alfaix (Radios).
Zwischendurch präsentiere Daniel Kupferberg eine prä-Version eines kommenden Ausstellungsdokumentation-/Kartoffelfanzine-heftes. In Verbindung hiermit stellt die darin beitragende Künstlerin Marta Leite ihr Heft "Uma Batata Enjaulada" (Eine liegende Kartoffel) von 2012 zum ersten Mal öffentlich vor.
Wenn Sie an diesen privaten Veranstaltungen teilnehmen möchten, melden Sie sich bitte für unsere Mailingliste auf unserer Website an oder kontaktieren Sie uns unter:
FINISAGE
Friday 7th July, 7pm
f.b event
At 8.30pm Kathrin Köster and Daniel Kupferberg in collaboration with Theda Weber-Lucks will stage a new performance with additional sounds by Elisabeth Ruhe (flute) and Gustavo Alfaix (radios).
Also, a pre-version of an upcoming exhibition documentation/potato fanzine booklet will be presented. Joining Daniel Kupferberg is the contributing artist Marta Leite who will (for the first time in public) read from her booklet "Uma Batata Enjaulada" (A Laying Potato) from 2012.
Daniel Kupferberg - Speicher:
- For English scroll down -
FINISAGE
Freitag 7. Juli, 19.00 Uhr
f.b event
Um 20.30 wird eine Performance von Kathrin Köster und Daniel Kupferberg in Zusammenarbeit mit Theda Weber-Lucks geboten, klanglich begleitet durch Elisabeth Ruhe (Flöte) und Gustavo Alfaix (Radios).
Zwischendurch präsentiere Daniel Kupferberg eine prä-Version eines kommenden Ausstellungsdokumentation-/Kartoffelfanzine-heftes. In Verbindung hiermit stellt die darin beitragende Künstlerin Marta Leite ihr Heft "Uma Batata Enjaulada" (Eine liegende Kartoffel) von 2012 zum ersten Mal öffentlich vor.
Wenn Sie an diesen privaten Veranstaltungen teilnehmen möchten, melden Sie sich bitte für unsere Mailingliste auf unserer Website an oder kontaktieren Sie uns unter:
___
FINISAGE
Friday 7th July, 7pm
f.b event
At 8.30pm Kathrin Köster and Daniel Kupferberg in collaboration with Theda Weber-Lucks will stage a new performance with additional sounds by Elisabeth Ruhe (flute) and Gustavo Alfaix (radios).
Also, a pre-version of an upcoming exhibition documentation/potato fanzine booklet will be presented. Joining Daniel Kupferberg is the contributing artist Marta Leite who will (for the first time in public) read from her booklet "Uma Batata Enjaulada" (A Laying Potato) from 2012.
If you would like to attend these private event please sign up to our mailing list using the form to the left
or contact for our current location:
Grass Harp 002 - Archiv-outsourcing auf rutschigem Grund
Grass Harp 002
Daniel Kupferberg - Speicher:
- For English scroll down -
Archiv-outsourcing auf rutschigem Grund
mit Materialbeständen von Dieter Lunt und Daniel Kupferberg
zu Gast: Theda Weber-Lucks & Alice Escher
Donnerstag 29. Juni, 19.30 Uhr
f.b event
Das Werkstatt-Gespräch ist Teil der Ausstellung Grass Harp 002 Daniel Kupferberg - Speicher: und wird wird in deutscher Sprache geführt.
Wenn Sie an diesen privaten Veranstaltungen teilnehmen möchten, melden Sie sich bitte für unsere Mailingliste auf unserer Website an oder kontaktieren Sie uns unter:
grassharpberlin@gmail.com
Nachlässe aus dem Tresor, Paralleluniversen, Weitergang
Als Ausgangspunkt schauen wir uns Auszüge aus dem Nachlass von dem bildenden Künstler Dieter Lunt (1967-2008) an, der über Jahre mit Theda Weber-Lucks befreundet gewesen ist: Unveröffentlichte und für die Welt bislang unzugängliche Skizzenbücher aus dem Tresor. Was könnte die Nachwelt damit anstellen? Daraus folgen viele weitere offene Fragen: Die Sperrigkeit des Mediums - wie kann sie ausgestellt werden, wie vermittelt? Gibt es Wege über die “gängige” Praxis, im Stile von Best Of Cobain-Faximiles, hinaus diese Bücher zugänglich zu machen? Was ist dieses Format, welches konventioneller Weise zwischen zwei Buchdeckeln sich ausspielt, überhaupt? Und wie hängt das alles zusammen mit Themenkomplexen die auch in der aktuellen Ausstellung Speicher: allgemein als offene Bearbeitungsfragen in den Raum gestellt werden: Archiv, Prozess, Werkzeug, Digitalisierung, Überschreibung, Transkription, Gesamtwerkkonzepte, usw.?
Neben Theda Weber-Lucks (multidiszipläre und experimentell-forschende Musikwissenschaftlerin und Musikpädagogin (2008 Dissertation über vokale Performancekunst)/zwischendurch Brezelbäckerin und Kulturverantalterin in Quebéc (2008-2014)/Leiterin des Fachbereichs Neue Musik and der Leo Kerstenberg Musikschule in Berlin) ist für das Gespräch Alice Escher eingeladen, eine berliner Künstlerin die in Performances, Videos und Hörspiele u.a. mit Sprache, experimentelle Vermittlung und idiosynkratische Gedankenvernetzungen arbeitet.
Der Raum ist leider nur bedingt Rollstuhlzugänglich.
___
The Slipperyness of Archival Outsourcing
with material stocks of Dieter Lunt and Daniel Kupferberg special guests: Theda Weber-Lucks & Alice Escher
The workshop-talk is part of the exhibition Grass Harp 002 Daniel Kupferberg - Speicher: and will be in German.
As a starting point, we will have a look at outtakes of the estate of the visual artist Dieter Lunt (1967-2008), a long time friend of Theda Weber-Lucks: So far unpublished and inaccessible sketch books from the vaults. What ways could the afterworld approach this? Several open questions follow: The medium is bulky - how can one exhibit it, how to mediate it? Could there be ways of making these books accessible beyond the “established” practice of making Best of Cobain-style faximiles? What is this format, which conventionally takes places between two book covers, in the first place? And how is this all connected to the wealth of thematic webs which also are being questioned in the current exhibition of Speicher: — archive, process, tool, digitalisation, over-writing, transcription, concepts of gesamtwerk, etc.?
Joining our guest Theda Weber-Lucks (multidisciplinary and experimentally researching musicologist and music teacher (dissertation on vocal performance art 2008)/from 2008-2014 brezel maker and cultural event organiser in Quebéc/currently head of the department of New Music at the Leo Kerstenberg School of Music, Berlin) is Alice Escher, an artist residing in Berlin who in performances, videos and audio pieces works with language, experimental mediation and idiosyncratic thought-interlinking.
Unfortunately the space is only partially wheel chair accessible
Daniel Kupferberg - Speicher:
- For English scroll down -
Archiv-outsourcing auf rutschigem Grund
mit Materialbeständen von Dieter Lunt und Daniel Kupferberg
zu Gast: Theda Weber-Lucks & Alice Escher
Donnerstag 29. Juni, 19.30 Uhr
f.b event
Das Werkstatt-Gespräch ist Teil der Ausstellung Grass Harp 002 Daniel Kupferberg - Speicher: und wird wird in deutscher Sprache geführt.
grassharpberlin@gmail.com
Nachlässe aus dem Tresor, Paralleluniversen, Weitergang
Als Ausgangspunkt schauen wir uns Auszüge aus dem Nachlass von dem bildenden Künstler Dieter Lunt (1967-2008) an, der über Jahre mit Theda Weber-Lucks befreundet gewesen ist: Unveröffentlichte und für die Welt bislang unzugängliche Skizzenbücher aus dem Tresor. Was könnte die Nachwelt damit anstellen? Daraus folgen viele weitere offene Fragen: Die Sperrigkeit des Mediums - wie kann sie ausgestellt werden, wie vermittelt? Gibt es Wege über die “gängige” Praxis, im Stile von Best Of Cobain-Faximiles, hinaus diese Bücher zugänglich zu machen? Was ist dieses Format, welches konventioneller Weise zwischen zwei Buchdeckeln sich ausspielt, überhaupt? Und wie hängt das alles zusammen mit Themenkomplexen die auch in der aktuellen Ausstellung Speicher: allgemein als offene Bearbeitungsfragen in den Raum gestellt werden: Archiv, Prozess, Werkzeug, Digitalisierung, Überschreibung, Transkription, Gesamtwerkkonzepte, usw.?
Neben Theda Weber-Lucks (multidiszipläre und experimentell-forschende Musikwissenschaftlerin und Musikpädagogin (2008 Dissertation über vokale Performancekunst)/zwischendurch Brezelbäckerin und Kulturverantalterin in Quebéc (2008-2014)/Leiterin des Fachbereichs Neue Musik and der Leo Kerstenberg Musikschule in Berlin) ist für das Gespräch Alice Escher eingeladen, eine berliner Künstlerin die in Performances, Videos und Hörspiele u.a. mit Sprache, experimentelle Vermittlung und idiosynkratische Gedankenvernetzungen arbeitet.
Der Raum ist leider nur bedingt Rollstuhlzugänglich.
___
The Slipperyness of Archival Outsourcing
with material stocks of Dieter Lunt and Daniel Kupferberg special guests: Theda Weber-Lucks & Alice Escher
Thursday 29th June, 7.30pm
f.b event The workshop-talk is part of the exhibition Grass Harp 002 Daniel Kupferberg - Speicher: and will be in German.
If you would like to attend these private event please sign up to our mailing list using the form to the left or contact for our current location:
dk@danielkupferberg.dk
grassharpberlin@gmail.com
Estates from the Vault, Parallel Universes, Proceedings
dk@danielkupferberg.dk
grassharpberlin@gmail.com
Estates from the Vault, Parallel Universes, Proceedings
As a starting point, we will have a look at outtakes of the estate of the visual artist Dieter Lunt (1967-2008), a long time friend of Theda Weber-Lucks: So far unpublished and inaccessible sketch books from the vaults. What ways could the afterworld approach this? Several open questions follow: The medium is bulky - how can one exhibit it, how to mediate it? Could there be ways of making these books accessible beyond the “established” practice of making Best of Cobain-style faximiles? What is this format, which conventionally takes places between two book covers, in the first place? And how is this all connected to the wealth of thematic webs which also are being questioned in the current exhibition of Speicher: — archive, process, tool, digitalisation, over-writing, transcription, concepts of gesamtwerk, etc.?
Joining our guest Theda Weber-Lucks (multidisciplinary and experimentally researching musicologist and music teacher (dissertation on vocal performance art 2008)/from 2008-2014 brezel maker and cultural event organiser in Quebéc/currently head of the department of New Music at the Leo Kerstenberg School of Music, Berlin) is Alice Escher, an artist residing in Berlin who in performances, videos and audio pieces works with language, experimental mediation and idiosyncratic thought-interlinking.
Unfortunately the space is only partially wheel chair accessible
Grass Harp 002 - reading with soundscapes
Grass Harp 002
Daniel Kupferberg - Speicher:
Daniel Kupferberg - Speicher:
Kopflöcher & Sägespäne
texts by Daniel Kupferberg
read by Olaf Schmidt & Lars Jolig
with soundscapes by Elisabeth Ruhe & Zhenja Oks
Tuesday 20th June, 8.30pm
doors open at 7pm
The reading is part of the exhibition
Grass Harp 002
and will be in German
If you would like to attend these private event please sign up to our mailing list using the form to the left
or contact for our current location: